Film and TV

The Summoner – Short Film Review

by on 28/06/2017

James Secker


James Secker


Adam McNab, Mhairi Calvey, Alexandra Hansler, Kate Marie Davies, Mike Carr.


Great cinematography
Fantastic cast
Face melting soundtrack


Minor issues with visuals / time setting

Editor Rating
Total Score

Bottom Line

A brilliant short film from new director James Secker. I enjoyed every minute of it, and the minor grumble I had with the fleeting moments of seeing modern elements is over in a heartbeat.

The Summoner is a tightly wound little beast of a movie, with low rumbling and threatening intentions.


“In a world where spirits of the dead are the most pervasive and dangerous threat we face, the public must call upon the skills of an enigmatic ghost-hunter who gets more than he bargained for facing the most deadly threat of his career.”

Imagine if The Exorcist was stuffed into a blender with a Greggs pasty, then cranked up to puree. Halfway through a cassette tape stuffed with 80s fuelled synth music is tossed in there for flavour. The end result would be The Summoner, the new short film from writer and director James Secker, the man behind ForceVideo.

The Summoner in action.


At a lean 20 minutes, the film wastes no time it making it’s intentions clear. Shot digitally and then heavily trashed in edit it looks like and old VHS tape found in a slightly damp Poundshop bargain bin, with harsh colour tones and heavy contrast. This blends perfectly with the incredible soundtrack to capture that 1980s vibe which is currently trending hard on Netflix.Adam McNab plays the title role, and does great work with very little dialogue. We quickly establish that the summoner is a broken man, hard drinking and smoking with busted knuckles and a set jaw. I was surprised to hear a thick Northern accent emerge, as the film has a very American vibe but this added to the surreal nature of the project.

The editing is tight, fight scenes are kept simple but effective and the attention to detail with authentic props and costumes help round off the retro aesthetic. My only criticisms is that a vehicle used in the film, plus some very modern road signs in a driving montage pulled me out of the 80s for a brief moment. Although I don’t believe that the time setting of the film is established, it was momentarily jarring to have such beautiful detail interrupted but it soon passed. Another scene sees a bystander to the events shout some abuse at our questionable hero, and I wanted to know a little more as to why he attracted such hatred. Again, the moment zipped by and we were back into the satisfying action quickly. It wasn’t by any means a weak moment in the film, it just felt as if it established some potential backstory that we don’t get to see. Perhaps this will be further explored if the project is expanded.

Exorcisms are brutal work.

The Summoner was made on an incredibly small budget, but it doesn’t show in the final product, and is now in submission to festivals around the world where I wish it the best of luck. James Secker is a talented director with a great style and I’m excited to see what will come next. The film will be made available for viewing online in the future, and I urge you to keep an eye open for it.

Official Trailer:

Original Soundtrack: